Los Angeles, CA
Sean
McDonald
Re-Recording Mixer · Audio Nerd · Good Human
Twenty-plus years shaping sound for the world's biggest screens - from live events to Dolby Atmos theatrical. Currently in-house at Netflix.
Los Angeles, CA
Re-Recording Mixer · Audio Nerd · Good Human
Twenty-plus years shaping sound for the world's biggest screens - from live events to Dolby Atmos theatrical. Currently in-house at Netflix.
With over two decades in audio post-production, I bring stories to life through sound. Currently serving as In-House Re-Recording Mixer at Netflix, I specialize in audio finishing and workflow design for content reaching audiences worldwide.
From live events to documentary, broadcast to Dolby Atmos theatrical - I've shaped the sonic landscape across every format the industry demands.
2019 - Present
In-House Re-Recording Mixer
Audio finishing and workflow design for one of the world's largest streaming platforms - delivering broadcast, Atmos home theater, and online mixes at scale across dozens of productions annually.
2018 - 2019
Re-Recording Mixer
Marketing audio for an independent creative agency - blending technical precision with storytelling craft for high-profile brand campaigns.
2017 - 2019
Freelance Re-Recording Mixer
Mixing promos, trailers, and long-form content for FX's cable network - delivering polished broadcast audio under tight deadlines in Century City.
2017 - 2019
Freelance Re-Recording Mixer
Produced broadcast-ready audio for AT&T campaigns and branded content, working out of El Segundo on a range of promotional and corporate projects.
2017 - 2019
Freelance Re-Recording Mixer
Delivered finished audio mixes for DirecTV promos and on-air content, based in El Segundo alongside the AT&T media team.
2014 - 2018
Re-Recording Mixer
Marketing and documentary mixing for Vice's genre-defining content - from gritty short-form social to long-form documentary series with global reach.
2013 - 2015
Re-Recording Mixer
Promotional audio for one of the largest broadcast networks - high-volume, high-pressure output with network-level quality standards.
2006 - 2013
Re-Recording Mixer
Live-event and documentary audio for motorsports and combat sports - dynamic, adrenaline-fueled content requiring precise, responsive mixing under live conditions.
2002 - 2006
Re-Recording Mixer
Foundational years in marketing and documentary mixing - building a deep technical and creative toolkit across formats and genres that still informs every mix today.
UCLA
Recording Arts
1998 – 2002